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The Lake (2nd version)
100 x 70 cm
 
Soil, hydrozell, twigs, nylon yarns, dry pigments and glycerophtalic enamel paints on canvas.
 
Construction in 1996.
 
Private art collection.
The Lake - Luc Dartois - Paintings and matters on canvas 1995
The Lake
128 x 80 cm
 
Soil, hydrozell, twigs, nylon yarns, dry pigments and glycerophtalic enamel paints on canvas.
 
Construction in 1995.
 
Private art collection.
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Terminus - Luc Dartois - Paintings and matters on canvas 1997
Terminus
42 x 50 cm
 
Plaster, soil, sheet metal, cigarette paper, balza wood, cable, fence and glycerophtalic enamel paints on canvas.
 
Construction in 1997.
 
Private art collection.
 
Where am I ? - Luc Dartois - Paintings and matters on canvas 1996
Where am I ?
42 x 50 cm
 
Soil, humus, herbs, resin, aluminum foil and glycerophtalic enamel paints on canvas.
 
Construction in 1996.
 
Private art collection.
 
 
 
 
 
 
 
 
 
 
 
 
 
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1995-1999
Second Period
Cemetery in Normandy - Luc Dartois - Paintings and matters on canvas 1996
Cemetery in Normandy
90 x 105 cm
 
Cement, soil, humus, stones, dead leaves, tree bark, twigs, copper yarns, photoengraved metal and glycerophtalic enamel paints on canvas.
 
Construction in 1996.
 
Private art collection.
The Pillar - Luc Dartois - Paintings and matters on canvas 1997
The Pillar
42 x 50 cm
 
Cement, resin and glycerophtalic enamel paints on canvas.
 
Construction in 1997, reworked in 2009.
 
Private art collection.
The Burg a la Croix - Luc Dartois, after Victor Hugo - Paintings and matters on canvas 1997
The Burg a la Croix
128 x 80 cm
 
Soil, hydrozell, cement, artificial water and glycerophtalic enamel paints on canvas.
After a Victor Hugo's drawing.
 
Construction in 1997, finished in 2011.
Nocturnal sea - Luc Dartois - Paintings and matters on canvas 1996
Nocturnal sea
42 x 50 cm
 
Sand, resin and glycerophtalic enamel paints on canvas.
 
Construction in 1996 (remade in 2018).
Railway Station - Luc Dartois - Paintings and matters on canvas 1998
Railway Station
65 x 83 cm
 
Cement, paper, balza wood, stones, soil, humus, tree bark, twigs, metallic stems, photoengraved metal and glycerophtalic enamel paints on canvas.
 
Construction in 1998 (image of the painting before its final stage).
 
Private art collection.
Back to the top of the pageThe Lake - Luc Dartois - Paintings and matters on canvas 1995The Threshold - Luc Dartois - Paintings and matters on canvas 1995The Columns - Luc Dartois - Paintings and matters on canvas 1996Two trees under the rain - Luc Dartois - Paintings and matters on canvas 1996The Marsh - Luc Dartois - Paintings and matters on canvas 1996Forest edge in Normandy - Luc Dartois - Paintings and matters on canvas 1997The Street - Luc Dartois - Paintings and matters on canvas 1997The Saint-Jacques Tower - Paris under the snow - Luc Dartois - Paintings and matters on canvas 1999
The Threshold
90 x 105 cm
 
Cement, stones, hydrozell, resin, dry pigments and glycerophtalic enamel paints on canvas.
 
Construction in 1995.
 
Private art collection.
The Columns
90 x 105 cm
 
Plaster, cement, soil, humus, stones, lichen, resin, hydrozell and glycerophtalic enamel paints on canvas.
 
Construction in 1996.
 
Private art collection.
Two trees under the rain
105 x 90 cm
 
Soil, humus, herb, tree bark, twigs, copper yarns, nylon yarns, resin and glycerophtalic enamel paints on canvas.
 
Construction in 1996.
 
Private art collection.
The Marsh
42 x 50 cm
 
Soil, humus, lichen, twigs and glycerophtalic enamel paints on canvas.
 
Construction in 1996.
 
Private art collection.
Forest edge in Normandy
90 x 105 cm
 
Plaster, soil, humus, tree bark, twigs and glycerophtalic enamel paints on canvas.
 
Construction in 1997.
 
Private art collection.
The Street
50 x 42 cm
 
Cement, cigarette paper, nylon yarns and glycerophtalic enamel paints on canvas.
 
Construction in 1997.
 
Private art collection.
The Saint Jacques Tower - Paris
65 x 83 cm
 
Plaster, cement, stones, soil, humus, tree bark, twigs and glycerophtalic enamel paints on canvas.
 
Construction from 1998 to 1999.
 
Private art collection.
Here is a selection or ancient paintings.
 
This is the beginning of the matters on canvas: first canvas to be build directly by starting with various materials, integrated in a composition and put in perspective.
 
Subjects are firstly influenced by several art movement coming from visionary and symbolist paintings, but the major influernce came from the polish painter Zdzislaw Beksinski, before evolving into more personal inspiration.
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Luc Dartois
Luc Dartois - Studio Harcourt Paris 2020
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