Luc Dartois Paintings 1991-1994 1st period

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1991-1994

First Period

Blind Messenger

50 x 42 cm

Glycerophtalic enamel paints on canvas.

Order made for an album cover.

1994.

Private art collection.

Couple

46 x 59 cm

Glycerophtalic enamel paints on canvas.

Particular order.

1994.

Private art collection.

View to the future

100 x 70 cm

Glycerophtalic enamel paints on canvas, plaster charge, black crayon.

1993.

Private art collection.

Ferrari 250 GTO

29 x 34 cm

Glycerophtalic enamel paints on paper.

Order made for a sporting event at Magnicourt.

1992.

Private art collection.

The Wall II

Glycerophtalic enamel paints on canvas.

Particular order.

1992.

Private art collection.

Here are some paintings of the early days.

These paintings have been made without matters but are characterised in that they are made with glycerophtalic enamel paints, this kind of pigment will be used constantly untill the present days.

However, the thinness of these pigments has led to few experiments with matter loading (View to a future for exemple). These experiments led to the use of matters as main medium starting from 1995 (2nd period).

Subjects are diverse and have been made according to the inspiration or particular orders.

Most of the paintings from this period have been scattered. Only few of them have succeeded in reaching us, barely around a dozen paintings are estimated to be left.

The Wall

300 x 180 cm

Glycerophtalic enamel paints on canvas.

1991.

Private art collection.

The very first painting (1991).

Under common influence of both cinema and music, it's a composition inspired by the animation drawings from Ge rald Scarfe, that have been used in Al an Parker's film “Th e Wall”.